We all know that whichever health problems we have, the best way to conquer them is, first of all, to prevent it. However, if it already happened, the second best way to deal with it is non-surgically, if possible.

The third apparent way is to embark on a surgical procedure. However, the latter is much more dangerous than the other two options.

Look at the case of Julie Andrews; after undergoing a botched vocal surgery in 1997, she lost her ability to sing forever and never regained her real singing voice ever since.

Joan Rivers, not too long ago, went to a prestigious New York hospital to the outpatient ward to remove a simple polyp and, as a result, she never came out of the operation room.

And lastly, there is Sam Smith, who luckily came out of the O.R, but with no ability to speak for quite a few weeks.

The rest remains to be seen.

I wish him all the best and a full recovery of his vocal injury. However, with the best scenario, what is going to change after the vocal surgery? Hopefully, the vocal cords will be repaired and the bleeding will stop.

For how long though?

In other words, the “instrument” is going to be fixed, but what about the “player”?

Let’s suppose that the most famous pianist, Liberace, would try to extract the sound from his pink Grand Piano, hammering at it; what would happen to that famous Grand Piano he was transporting, along with him, everywhere he was touring? Let’s presume that it happened and the famous pianist found a famous piano repair specialist. Liberace paid him enough money to fix his favorite Grand Piano.

Now what?

Poor Liberace is still continually hammering the aforementioned Grand Piano.

So take a wild guess… What happens next?

It is very easy to guess; his famous pink Grand Piano will be ruined one more time again. If you are still wondering why, this is the answer…

Because nothing had changed! The instrument was fixed, but the player is still hammering…

So, if any singer undergoes a vocal surgery will continue singing in the same manner as he did before, no doubts the problem will reoccur and might get even worse the second time around.

Look at John Mayer.

He removed one polyp, than regained two. Then removed two and regained more.

And lastly, look at Adele’s case.

After bleeding polyp surgery and five month of silence after the fact, she luckily regained most of her voice.

But when (right before embarking on the performance at the Grammy Awards in 2012, she was asked by the interviewer, who happened to be (CNN’s news caster), Anderson Cooper; “Do you think that it could happen to you ever again?”

Without any hesitation, Adele replied, ABSOLUTELY!

The interviewer asked, “why”?

Adele replied, with absolute certainty  “If I decide to go on a 200-date world tour, it would happen again.”

That said, being smart and aware that nothing had changed with respect of her vocal technique whatsoever, she then totally knew that the initial voice problem would occur over and over again.

We all know that she never went on any tour after her vocal surgery.

As a matter of fact, I know that she wanted to take a five-year break right after that occurrence.

The whole ordeal scared her out of her wits, understandably so.

Since she had the understanding that her vocal application and technique of doing it before the vocal injury has not been altered in any shape or form, evidently, the new vocal injury will occur over and over again.

The moral of it is: there is no change, without change.

If the vocal application and vocal technique are not modified in such a way that the vocal cords and the whole vocal anatomy would be released from the pressure of the sound, the vocal injury will, no doubt, occur again and again…

If you are interested to find out more details on Non-Surgical voice repairand post operative care, please give Diana Yampolsky a call for a free consultation on any of the voice issues or vocal problems you, or your loved one(s) might have.




Indeed, should you give up, or rather do something, which will (at least) improve the quality of your life?

What are those untreatable, nasty voice disorders?

It definitely is vocal paralysis (paresis) or both vocal cords, the severe forms of spasmodic dysphonia, the severe forms of muscle tension dysphonia, scar tissue on the vocal cords, damaged vocal box and it’s anatomy due to/or during the surgical procedure and many more others .

Once, not too long ago, in my office/studio walked in a middle-aged, pretty handsome Asian man with his wife. It was very sad to try to speak with the man, as there was nothing else coming out of his mouth but mooing. I could not understand one word he was trying to say. Then his wife took over the “conversation”.

She told us a story that her husband had a cancer of thyroid. Then the doctors first were trying to get rid of the cancer, they conducted a surgical procedure, which had paralyzed one of his vocal cords (vocal paresis). Then he was suggested to undergo chemotherapy and radiation treatments, which, naturally, worsened his voice condition.

He became even more raspy and hoarse and then became hardly understood.Then doctors decided to proceed with the second operation to remove the remaining cancer from his thyroid. After he came out of the second surgery, his second vocal cord was also completely paralyzed. How horrible it might be for the man in his mid-40’s to have communication difficulties, to the point that he could not form any sensible words!

He came with the hope that I will offer him a magic pill and a magic cure…? On one hand, of course, you cannot blame him that he was looking for a miracle. On the other hand, how realistic is that?

I have explained to him that his condition cannot be cured, either by me or anybody else for that matter. But what I could have done for him is improve the quality of his speaking; to improve clarity, annunciation and pronunciation, if not for all words, but for the majority of the words.

How would I do this, you may ask?

With the great difficulty, a lot of patience, huge intensity on both of our parts, employing the tedious Vocal Science ™ method and all of my 40 years experience, dealing with the health related (and other kinds) of voice/vocal disorders. I would teach him how to speak, employing facial muscles, the use of which would make his voice at least 4 times more resonant and amplified.

Also, employing along with facial muscles, the abdominal muscles, would allow him to have a greater support of the sound, the proper lift of the sound off of the vocal box and thus he would become more understood, which means his confidence would be improved by far and the quality of life would be more enhanced and escalated. Unfortunately, my prospective client could not understand how he could use the different muscles (facial muscles working in full conjunction and coordination with the abdominal muscles) and not the vocal cords.

Too bad for him because, as far as I am concerned, this tedious and intense, syllable-on-syllable, word-on-word Vocal Science™ technique is the only hope he had.

Evidently, not all vocal severe damages are curable, but almost all of them are treatable to some degree. It requires the understanding, willingness and ‘lovingness’, an open heart & soul and true belief in the improvement of one’s condition.

Without the above, there is no point for any of the parties involved, to embark on such, not very easy at all, endeavor.

If you find this content informative and helpful, please refer to our websites for more detailed information, or give Diana Yampolsky a call for a free consultation on any of the vocal problems you, or your loved one(s) might have.




Firstly, the answer for the question whether or not you can prevent a vocal surgery, in majority of cases would definitely be yes.

We have seen and heard a lot of artists with great talents and beautiful songs, but the majority of those artists, unfortunately, did not have much of an idea about proper vocal technique, which actually would prevent those beautiful natural voices from, in some cases, severe damage.

They’re usually picked up by the industry based on their talents, looks, and in some cases, well-written songs.

Also, I will never forget, “until the day I die”, when I had an appointment with Sony Music Canada, and before starting the conversation about my own artist, the two Sony executives, almost, right away, when I sat down on the chair in their office, exclaimed: “Where have you been when we needed you last night? We flew over an artist from Vancouver and could hardly pull out any vocals out of him! It was more like we were pulling out our own hair!”

I still, being somewhat naive (at the time), exclaimed: “If he couldn’t sing, so to speak, to save his life, why in the world you flew him over?”

“Yes Diana”, they said. “We understand your point, but he is such a good song writer!”

My question was, and still is, if the person is a good songwriter, does it automatically make him a good singer?

If, for example, I am a good driver, does it automatically make me a car mechanic or a driving instructor?

For some reason, it is presumed that if the artist is a good songwriter, good looking and got his/her charismatic performance down pat, it grants him a “license” to be a “professional” singer.

In my books, it’s called a “license to kill” and in this instance and reference, to kill their own voice no doubts!


To be able to withhold the pressure on the human voice and vocal anatomy, you really need to know what you are doing with respect of the mechanics of the voice.

One more time again, if I am not a car mechanic, I will, for example, not mess with the car engine, carburetor or alternator for that matter.

I will hire an authorized, licensed car mechanic.

For some reason, neither the singers nor the music industry professionals ever think in this capacity or terms.

They overload their artists with huge tasks concerning their voices and then they get surprised that the artists’ voices seize and most likely, the singers (under their, so called, care) will be facing the vocal surgery.

To answer the second question whether or not the artist could avoid the vocal surgery is not always straightforward and not very easy.

If the voice is damaged severely, the non-surgical approach, at that time, may not already be feasible.

Since the artists are under the contract and have to record, perform and tour, when they feel that something unusual is happening with their voice, they have no choice as to continue pushing and pulling their vocal anatomy to the max until they severely strain their voices and could not anymore pull anything out of it.

At that time, usually in the doctor’s office, they discover that they have bleeding vocal cords, nodules or polyps on their vocal anatomy and/or amuscle tension dysphonia coupled with the acid reflux and fibromyalgia associated with their voice disorders diagnosis.

Majority of the above listed vocal issues are possibly solvable via a special technique, which addresses the lift of the voice off of the vocal anatomy and then the concurrent natural treatment to aid the wounded throat and larynx flora.

So if the artist is practicing a safe and sound vocal technique which allows him/her to save and protect the vocal anatomy and assure the duration of his/hers vocal health, the vocal surgery will never be necessary.

Calling all artists!

If you can AVOID a vocal surgery, please do.

I am sure everybody remembers the case of Joan Rivers.

She went to the outpatient auto laryngology department in one of the prominent New York’s hospitals, to remove a simple polyp…

We all know that she never got out of the operating table.

Safe voice revolution?

Yes, it is.

If you don’t practice “safe voice” your life might be at stake!

More and more people are inquiring about the difficulty of using their voice, as per normal. There are different factors taking place to prevent people from communicating efficiently and with no difficulty, using their speaking voice.

When the voice, sometimes due to a lot of very loud and excessive talking, drops down to its very low position, it begins to sound hoarse and raspy and very low in volume.

The person who experiences the above described symptoms is trying to push and pull that voice to the surface and, of course, the more they try, the less results they get.

Sometime ago, my voice repair client from Boston who used to play in the Blue Grass band, (before her vocal injury) told me:

“Diana, I pushed and pushed my voice, trying to bring it to a normal volume and get rid of the hoarseness, and last August, I knew that I have pushed it for the last time”.

By pushing and pulling her voice, not only did she lose her volume almost completely, she also acquired a nodule on one of her vocal cords.

Now we have had a double whammy.

We had to recover the voice from the “deep swamp” and we had to dissolve the nodule by releasing the vocal box from the pressure of the sound and nurturing her vocal anatomy with natural herbs and remedies.

When she finally arrived to my studio, her both (speaking and singing voice), were almost completely shattered.

By working on her speech, I was able to recover her voice from “the deep end”, so to speak, and once her speaking voice started to sound normal, as a side effect, I had finally taught her how to sing professionally and with no pain or strain on her vocal anatomy.

I have to say that it is still easier to work with the vocally injured singers than with the regular people with just speech problems.

Every singer intuitively knows and feels that their voice is a very sensitive commodity and could seize on them at any given time; where’s regular people with acquired speech problems are, quite often, taken by surprise.

They are talking a lot, they are talking loud, they are screaming at their children’s’ baseball games, the talk on the phone all day, either at work and/or with friends at home, and then “suddenly”, their voice however, gradually, begins to go. Since it has never happened to them before, they do not agree with it, as their whole being is protesting and still desires to be loud and flamboyant. So they force and force their voices out and the more they force, the worse it gets.

Now, finally, they were forced to stop, and that’s where their trauma begun.

So, psychologically speaking, it is much harder to deal with these people rather than with the amateur or professional singers. Not only speech troubled people, physically, have trouble to communicate, but emotionally, usually, they are also very distraught and quite disturbed.

Restoring the voice, in general, could be quite a long, intense and tedious procedure. Therefore, at my work, all of my degrees of education, my extensive experience in teaching and fixing voices, are utilized to the max.

First of all, I have to be a total communicator, as well as psychologist and sometimes even a psychiatrist, as without those skills, I cannot even begin the voice repair of any kind.

The world had just herd about the well-known artist, Sam Smith who, unfortunately, had to interrupt his Australian tour and reschedule his Japan and UK tours. It is very unfortunate when the singer, especially at his heights, has to interrupt his performances and publicly admit that there is something wrong with his vocal anatomy.

The question is: could the singer prevent such an occurrence?

From where I sit, the answer is yes, he could.

The Vocal Science ™ technique, which I developed, suggests to use less of the vocal anatomy and more of the subsidiary anatomy which actually produces more efficiency in the human voice with less, (or not at all), strain on the vocal cords and vocal box in general. The vocal cords could handle only so much pressure of the sound.

Therefore, the main objective is to remove the pressure, and thus the pain and strain from the vocal cords, larynx and throat, and then to appoint the facial set of muscles to play the role of the natural amplifier or resonator.

To achieve the above, the facial muscles must begin to work in full conjunction and coordination with the abdominal muscles. The abdominal muscles will provide the support for the sound to be lifted off of the vocal cords and off of the vocal box. And also, the circumference, (the body of the sound), will then be established. After the very first syllable of the word, the vocal cords will be relieved to the rest of the phrase, thus a lot of strums by the voice on the vocal cords will be saved.

Like for the heart, we only have so many beats per lifetime.

Similarly, the vocal cords could only handle so many strums per lifetime.

The moral of this is: save and protect your voice, trying to avoid the wear and tear on the vocal anatomy. When the vocal anatomy is used excessively, it becomes dry and very vulnerable. In this instance, the singer who has a very heavy schedule, like Sam Smith, could acquire all kinds of vocal disorders, and yes, one of them could be bleeding vocal cords.

If the person wears an uncomfortable shoe, he could easily get a callus on their baby toe. If the shoe, or the callus for that matter, is not removed, it starts bleeding and gets infected. The bandage with medication, which separates the shoe from the callus, could eliminate the pain and prevent the infection.

So, in my opinion, for the singer whose livelihood depends on his/her voice, it is a must to learn how to separate the vocal anatomy from the pressure of the sound adapting the wholesome mechanism which includes proper breathing and, so to speak, “fuel” for the sound to fly to its aimed destination and arrive to that destination safely.

However, if the damage has occurred, along with the proper technique, the use of the certain natural herbs and remedies would enhance the healing. To get more information on voice damage and voice disorders, you are welcome to refer to one of our sites:



The Non-Surgicalvoice repair course is a very serious endeavor for both the voice sufferer and the voice repair specialist.

Needless to say, the voice repair clients come usually upset, frustrated and in a majority of cases, somewhat depressed. Quite a few of them literally lost they’re speaking and singing careers, or just simply their jobs.  So they do have a very good reason to be upset, and yes, depressed.

However, obviously those emotions are not helping the cause.

So I have to be a very good psychologist, and in some cases, even a psychiatrist to be able to attend to the vocally troubled person.

Obviously, the concept of my methodology is the same for everybody. However, the way I am solving their voice and vocal issues is almost every time different.

I compare it with a headache.

You can get rid of the headache applying different means, i.e., medical drugs, herbal remedies, deep tissue manipulation massage, or what have you.

It does not really matter what is applicable for a headache sufferer. It does matter that the headache will not exist anymore.

I use the same approach to solve any vocal disorder. I look and find out what is needed. Then I test several methods I have in my arsenal. And once I find the one that works, I provide the needed care.

My success of doing it is unlimited!

There are two stages involved in treating and educating the person with voice problem:

The first stage: I instill my message on the subconscious level.

It is in fact a very intellectual and intelligent method of visualization. It works on the principal of GPS, or as British people call it, Satellite Navigation, which is all good and well.

Let’s say that you need to get to an unknown place only once.

You don’t know where you are going and you are not planning to go there ever again. Then the GPS, (Or Sat Nav), will be very helpful.

You don’t need to think, as a pleasant (usually female) voice will guide you exactly to where you are going.

But if you want to learn the root and rely on your brain, you will consciously then know the exact directions to the aimed destination.

Stage two: is to educate the voice repair client “what button to press on their human computer” to achieve the right outcome or “printout” so to speak, they are looking for, first with my help and then on their own.

If that stage of the instruction does not “compute” so to speak, the person upon arriving back home, will have difficulties to replicate the newly found application of their speaking or singing voice.

The “automatic pilot instruction”, which they achieved while being with me in my studio, will shortly wear off and now will bring the voice repair client almost, back to the same stage where they originally began their journey. 

Some people need 20-30 hours of instruction and, so to speak, ‘tightening the screws’ of the new modality of their new vocal behavior, and some people need 50, or even 100 hours to achieve that.

All of it depends how balanced, mentally, physically and emotionally the person is at the beginning of the voice repair journey.

If they have an open heart and soul, the belief and commitment, the success of their vocal and overall human transformation will be, indeed, unlimited.

A lot of my clients come very closed in and very much in their head.

One time, I was working with a client, and there was a huge noise coming out from another side of the building. I, personally, was very disturbed by it and could not wait until it will stop.

I was really worried that it does disturb and distract my client from her exercises.  When I asked her if she’s disturbed by this enormous noise, she looked at me, puzzled, and asked me, “which noise…?”.

She, apparently, has not heard a thing!!!

That should tell you, my reader, that the person, instead of being connected with the instructor, was sitting very deeply in their own head and stewing in their own world.

That alerted me immediately and I did everything in my power to establish a balance between the person’s inner and outer world, thus establish the needed connection with me and learn (manually) the proper application, in this case, of speaking voice.

As I knew that when the former voice repair client comes back home, the automatic translation will wear out soon enough and the manual one was hardly established.

Moreover, especially the speakers, who ruined their voices by speaking a lot, very loud and intensely, now regaining their voice, (even on the automatic pilot), come back right to the same manor and quantity of speaking, as before and more.

I do warn those clients and try to bring to their level of understanding that they just left, in a manor of speaking, a rehab and they can not start running marathons immediately after.

By my experience, the speakers are the most guilty of this president.

They, in a manner of speaking, acquire what I call a “vocal incontinence”.

It is somewhat understandable, since they were deprived from the normal speech for some time before they met me, but they still do not have patience to bring it up gradually and “learn how to walk, before they start running”.

So my main challenge in voice repair endeavors is to get the vocal sufferer back in balance on every level and assure that they will remain to stay in total balance, with or without my presence.

“I’m not a reborn Christian, I am a reborn human,” said Karen Gundling, my recent voice repair client from Ottawa, Ontario.

Like many of my other clients, Karen lived with her voice disorder for almost two decades.

She had seen many medical professionals, alternative doctors, and nevertheless, speech therapists.

To all of them, she had been complaining about the pain in her throat, her neck and her shoulder, evidently associated with that.

Practically all of them told her that it is “all in her head”.

Only one of the specialists was able to diagnose her with muscle tension dysphonia (MTD), but like everybody else, he was not able to administrate any kind of treatment which would help Karen to get rid of her nagging pain while speaking.

Needless to say, she was devastated and practically was ready to give up on life.

She is a very vibrant and boisterous person who loves to talk a lot.

Some of the so-called medical professionals ordered her to keep silent for six months!!

Needless to say, I had quite a few cases like Karen’s in the past.

In brings out the memory of my former client, George L., a real estate agent from Los Angeles, California, who went through the similar ordeal.

Nobody could tell him also what was wrong with him and every treatment George took around the world would make his sufferings with his voice worse than before.

And he needed to speak for a living!

Twenty minutes into my first session, George had tears in his eyes and said to me, “I’m honored to be in the same room with such a specialist like you.”

Four days later, George left very happy with his voice completely recovered.

The fact is, that from the medical doctors’ and the alternative practitioners’ point of view, “there is nothing wrong” with such patients like my two clients described above.

Why, you my reader, may ask …

Because the problem, one more time again, is mechanical.

None of the doctors know how to fix the mechanics of voice, i.e. recover it from the neck and chest muscles; structure it and place it in the sinus (facial) cavities; and how to create the support of the sound from the lower and upper abdominal muscles; and how to integrate and synchronize those muscles to work simultaneously with each other.

The description of the Vocal Science Method is such that it requires the synchronicity and synergy between mental, physical, emotional and vocal components.

If that doesn’t happen, the voice repair will never be accomplished.

If that wholesome mechanism which allows the voice to work in its fullest capacity possible – with no pain or strain on the vocal anatomy – is not established, the voice, speaking or singing, will never have a healthy sound and always will be prone to some kind of injury.

With that mechanism in place, the speaker or singer will also be able to comply with standards of professional speaking or singing, and nevertheless, preserve their recovered voices for their lifetime.


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